![]() ![]() How do you add color to a neutral living room? However, if you want a splash of energy, then include one incredible piece of art, a colorful rug, or blue or green living room accents to create interest and personality. If you want a room that’s very calming, stay completely in the neutral world with a more monochromatic look. These elements create interest that will make neutral living room ideas sing. It’s important to consider texture, whether through pattern, such as a lacquered fabric, or by mixing finishes, like a matte wall with gloss paint on the ceiling. How do you style a neutral living room?Ī neutral scheme can still be inspiring and have depth. Layers of similar tones keep a scheme from feeling flat, while accents of dark gray, brown or black can be used to punctuate. Cool light works well with warmer neutrals, while south-facing light has a yellow hue, so cooler neutral colors are best. What is a nice neutral color for a living room?įrom oyster and beige to sand and gray hues, the secret to neutrals is to pick the right tones for the type of light coming into your room. When employed judiciously and sparingly, glimmers of metallics, be they on fabrics and upholstery on the walls or on details such as cushions and rugs, introduce a flattering luminosity to the space.Įmployed here in a very modern context, the metallic scheme serves to outline and show off the dramatic artwork, interesting lighting and stylish curves of the furniture. Used sparingly as thread in tapestry and embroidery in the Medieval period, through to opulent Art Deco interiors and, later, the 1980s prevalence for shiny brassware, using precious metals in a room has long been a way to communicate a sense of importance (or depending on your point of view, brashness) in a home.īut it needn’t be a controversial color choice. Inspired by a box of sepia toned photographs found in an attic, the artist has created many sepia toned interior scenes, as well ones “where I used quite a bit of color…….it is a nice breakaway, temporarily to get away from the monochromatic palette.”įor Johnson, “each painting is 1000 different decisions, thoughts and feelings.” The result becomes timeless scenes “dancing on the water of abstraction or of just being.Metallics, and in particular gold, are an age-old way to communicate opulence in an interior. personal spaces,” where he can experiment with brighter colors and the detail and beauty of historic homes. Johnson has also “always been attracted to interiors, work spaces …. The limited or lack of color is all they call for.” They are more based on the feelings one gets from the city. I keep the figures silhouetted and the architecture limited as well because the paintingsare not about those things. The limited palette “is a result of how I see it and I don’t think these scenes call for color. Drawn to New York City for the many recognizable architectural landmarks it offers, Johnson “(wants) to show people juxtaposed with the architecture, and create different moods and feelings for each piece.” When painting his trademark urban landscapes, he tends towards a monochromatic approach to recreate the feeling of anonymity in the city. Johnson’s style has resulted in powerful imagery which offers little details to figure and form. ![]() Much like Hopper before him, Johnson’s paintings evoke the isolation and loneliness of the big city. ![]() Using an impressionistic style, Johnson’s work lies in that seductive space between realism and abstraction. For more than two decades, Geoffrey Johnson has mesmerized viewers with his quietly introspective paintings that capture the mood and character of the contemporary urban landscape as well as timeless interiors. ![]()
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